This project was part of a course in Graphic design and typography. The course consisted of four modules where the three first ones focused on different design principles. The last module consisted of a final project, where we individually had to come up with a design solution to plastic pollution.
My solution was a children's book aimed at educating children on how they can reduce their demand for plastic.
Tools and techniques
Brainstorming, field study, sketching, Adobe inDesign, Adobe illustratior, Figma.
Duration
Dec 2025 - Jan 2026
One of the earlier assignments in the course focused on exploring visual contrasts through poster design. I created two posters based on the same concept but with opposite visual approaches, experimenting with composition, color, and typography.
This exercise helped me practice translating a single concept into different visual expressions before moving on to the final project.
This first poster was a more illustrative and moody poster - with dark colours and a minimalistic feel.
For the second poster, the task was to create a visual opposite to the first design. I started by defining keywords for the first concept and then developed contrasting keywords to guide the second version. Based on these opposites, I created a moodboard to explore an alternative visual direction before designing the final poster.
This process helped me explore how a single concept can be expressed through fundamentally different visual languages.
For the final project, we were tasked with developing a design solution to address plastic pollution. I decided to focus on reducing consumer demand for plastic by raising awareness and encouraging more sustainable behaviors.
The project started with a brainstorming session where I explored different ideas, target audiences, and storytelling approaches before defining the final concept.
The project began with a brainstorming session focused on reducing demand for plastic. Initially, I explored adults and young adults as the target audience and generated ideas across different physical and digital contexts.
I then repeated the exercise with children as the audience, which helped me compare how the concept could be communicated to different age groups. This led me to narrow down the project direction and focus on children as the primary audience.
For the final ideation step, I defined the concept as a children’s book about reducing plastic consumption. I brainstormed visual and narrative keywords, as well as key topics and messages to include in the story, which later guided the design and storytelling direction.
Using the defined keywords, I conducted a rapid sketching session to explore a wide range of visual ideas. The sketches were intentionally rough and exploratory, focusing on quantity and concept generation rather than detail.
I then narrowed down the concepts and refined my selected sketches, which formed the basis for the final visual direction of the book.
To explore the structure of the book, I created a basic layout template including the front cover, back cover, and interior spreads. I then duplicated this template into multiple versions and sketched a range of layout concepts, focusing on visual hierarchy, storytelling flow, and page composition.
This iterative layout exploration helped me evaluate how illustrations and text could work together across the book format.
I developed a moodboard to explore the desired emotional tone, typography, and color palette for the project. The moodboard served as a visual guide to ensure consistency across illustrations, layout, and storytelling, and helped define the overall look and feel of the book.
The hand-drawn sketches were digitized in Illustrator, where I refined the illustrations, explored color application, and polished details. Using InDesign, I developed the book layout, carefully considering visual hierarchy, typography, and pacing to support the storytelling and guide the reader through the narrative.
The final product
Book cover
Spread 1
Spread 2
Back cover